Havas Group Australia is supporting team morale and wellbeing with an initiative called Hava-Listen that supports staff passions and help take them to the next level.
The inaugural Hava-Listen event is supported by NOVA Entertainment and will be held on Thursday, July 14, at the Havas Village offices in The Rocks Sydney. It will feature the talented, Anna Natlacen, aka Anna Dot and senior digital trader at Havas Media Group. Natlacen is also a talented singer-songwriter and will be performing to a crowd of Havas staff and supporters.
Francis Coady, chief marketing officer of Havas Media Group, stated, “We are incredibly excited to launch this Havas Group-wide initiative to help shine a light on the many varied creative passions of our vibrant employees. When the callout was made, we were blown away with interest, and the first three sessions have already been filled over the second half of 2022. We are exceptionally thankful for the support of NOVA Entertainment, who will present the very first session, featuring the incredibly talented Anna Natlacen.”
“It’s so encouraging to know that Havas actively supports my passion for music, and I’m extremely excited to follow in the footsteps of so many of my musical inspirations by performing with the support of NOVA Entertainment,” added Anna Natlacen.
Hava-Listen is an ongoing initiative with more events to be announced over the year.
The is Anna Dot: After starting out busking on the streets and playing living room concerts, Anna Dot went on to win a national song writing competition in Austria and record her first album, Sunshine State of Mind, which she self-released in March 2017. She then took her blend of indie and folk pop with her to Sydney. Where she entered an entirely new music scene and sources of inspiration. Her second studio album, Tangled (2020), is a musical retelling of her first year in Sydney and featured the single, 33 Hours, which made it onto the Busk For A Cure album as well as the official Sydney Sofar Sounds playlist. Anna is currently working on her third album.
