Who's doing what in the world of commercial creativity.
"D&AD exists to stimulate creative excellence; it's our mission and raison d'être. But up to now we have only awarded individual achievement. As we move into the next 50 years of history, we have introduced a …
Adland Aus had a spectacular awards year in 2013. This is how we look right now on Gunn Report paper: View Australia's and New Zealand's creative ranking histories here The Most Awarded Commercials in The World in …
Everything entered in Product Design is displayed inside Olympia Exhibition Centre’s stately Victorian Era main hall on long rows of demurely white cloth draped tables…ostensibly so that the all judges can hold the entries in …
Packaging design is a serious business. Packaging makes up to 60% of the decision to buy at point of purchase. The packaging design process? Well that’s something else entirely. Sometimes it’s best if you just want …
I’m writing this from a quite comfortable and spacious economy seat, on my BA flight on the way over to London from Sydney (28K has it all – the window, the left over real metal …
Ok, so you'll admit that you want one badly. Find out what it takes in D&AD's five decades of Black Pencil showcase.
Iain Tait, is executive creative director at Google Chrome Labs. He’s the tech-heads' tech-head. But he’s no emotionless nerd. He cried during last year’s Black Pencil judging. When Tait was asked to choose his “I Wish …
The fashion world is wallpapered in beige. The 123,456,789 ads it has churned out may be full of colourful fabrics (or relentlessly black ones from beginning to end of the eighties), the ads themselves are …
When Dan Wieden says, “I Wish I’d Done That,” adland is all ears. Last year, D&AD asked him which advertising campaign from the past twelve months he wished he’d done. It wasn’t DWTD. Wasn’t Men in Briefs. Wasn’t …